Biography
Barry Flanagan (b. 1941, Prestatyn, North Wales; d. 2009, Ibiza, Spain) is one of Britain’s major sculptors. Barry Flanagan was born in Prestatyn, North Wales, in 1941, to a family of music hall performers. He graduated from St Martin’s School of Art in London in 1966, where he had already established his reputation as a leading figure of the avant-garde, a writer of concrete poetry and a ’pataphysician, espousing Alfred Jarry’s ‘science of imaginary solutions’. His first solo exhibition was held at Rowan Gallery, London, in the same year. He quickly received international critical acclaim for his intuitive and inventive approach to materials, which aligned him with new art practices and the emergent art movements of Arte Povera, Land Art and Process Art. Flanagan was elected to the Royal Academy of Arts and awarded an OBE in 1991.
Flanagan was included in the important exhibitions of the 1960s, particularly When Attitudes Become Form at the Kunsthalle Bern in 1969. From 1972, following the release of George Ewart Evans and David Thomson’s book The Leaping Hare reassessing the function of public sculpture, Flanagan began to explore more traditional materials and methods, working with stone and bronze, for which he is now best known. He was drawn to the hare for its anthropomorphic potential and rich cultural iconography and his hares have become established as popular landmarks in cities and landscapes worldwide. Today, Flanagan’s characterful bronze hares can be found displayed in numerous public spaces across the world.
Flanagan has been awarded several major surveys at museums worldwide, including a retrospective at Fundación ‘La Caixa’ Madrid in 1993, touring to Musée des Beaux-Arts, Nantes in 1994; at Kunsthalle Recklinghausen, Germany, in 2002, touring to Musée d’art moderne et d’art contemporain, Nice; at Irish Museum of Modern Art in collaboration with The Hugh Lane Gallery, Dublin, in 2006, which included an exhibition of large scale sculptures on O’Connell Street; a retrospective entitled Barry Flanagan: Early works 1965–1982 at Tate Britain in 2011–12.
In 2012 Chatsworth House hosted an outdoor exhibition of Flanagan’s monumental bronze sculptures in collaboration with Sotheby’s. The first comprehensive monograph on Barry Flanagan was published last year in 2017 by Waddington Custot in association with The Estate of Barry Flanagan. In 2018, Paul Kasmin Gallery held a survey of Flanagan’s bronze sculptures in New York. In 2019, IKON Gallery in Birmingham presented a major retrospective of the artist, filling the entire two floors of exhibition space. The exhibition comprised of iconic works from the Estate of Barry Flanagan, Tate, The Arts Council Collection and Southampton City Gallery.
The Estate of Barry Flanagan is represented worldwide by Waddington Custot.
Read moreWorks
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Barry Flanagan, Installation on Cork Street, London, 2020
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Barry Flanagan, Installation image, Retrospective at Ikon, Birmingham, 2019
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Barry Flanagan, The Drummer: Installation at IMMA, Dublin, 1996
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Barry Flanagan, ring, line and easter bag '67, 1967 photograph
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Barry Flanagan, 4 casb 2 '67, ringl 1 '67, rope (gr 2 sp 60) 6 '67, one space sand sculpture '67 (1967), 1967 lino, sand, rope and canvas 90 x 101 15⁄16 in / 228.6 x 258.9 cm
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Barry Flanagan, Untitled, 1984 Tuscan travertine (travertino noce) (stone carving) three parts / carved by Ghelardini 36 x 41 x 20 in / 91.4 x 104.1 x 50.8 cm
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Barry Flanagan, Heap 1 '67, (1967) installation view, Rowan Gallery , 1968
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Barry Flanagan, Nijinski Hare at Hors Les Murs, Fiac, 2013 bronze (1,680 kg) 204 x 74 x 103 in / 518 x 188 x 262 cm
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Barry Flanagan, hole in the sea (triptych), 1967–70 photo etching (set of three) 19 7/8 x 23 7/8 in (each) / 50.5 x 60.6 cm (each)
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Barry Flanagan, Composition, 2008 bronze 133 1/8 x 95 5/8 x 95 5/8 in / 338 x 243 x 243 cm
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Barry Flanagan, Moon Gold Hare, 2008 bronze and gilded bronze 162.9 x 145.8 x 38.5 cm
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Barry Flanagan, Harebell on Portland stone piers, 1983 bronze 95 1/2 x 112 x 75 in / 242.6 x 284.5 x 190.5 cm
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Barry Flanagan, Untitled (red wall hanging), 1973 coloured hessian, acrylic paint and wood 58 1/2 x 25 1/2 x 6 3/4 in / 148.6 x 64.8 x 17 cm
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