Jean Dubuffet, Tour aux récits at Smithson PlazaSeptember 23, 2020 The installation of Tour aux récits at Smithson Plaza, produced in collaboration with Pace and Encounter Contemporary together with Waddington Custot, comes at a time of renewed focus on the radical French artist, who is often cited as one of the most powerful and provocative voices in the post-war avant-garde.
Defining SpaceA group exhibition of 20th and 21st century artists 2 December 2020–20 February 2021 Defining Space explores the impact of negative space within the work of 20th and 21st century artists, demonstrating how line and drawing play a crucial role in mapping out imagined spatial configurations.
The works in this group presentation demonstrate the translation of drawing into the three-dimensional; towering monumental installations protrude from the walls, and curl up from floors, while the negative space of the picture plane is variously architecturally structured, or revealed through light and shade.
The exhibition includes works by Peter Blake, Enrico Castellani, Michael Craig-Martin, Ian Davenport, Jean Dubuffet, Barry Flanagan, Peter Halley, Hans Hartung, Frank Stella and Bernar Venet among others.
One of Bernar Venet’s iconic Indeterminate Line sculptures, created in rolled steel, shows the French artist’s approach to conceptualising and configuring space.
Mgarap Bangke, a 2004 wall-based sculpture by Frank Stella, similarly towers in a tangle of industrial materials, which the artist has coerced into curving organic forms. Moulded sections of dark carbon fibre are supported by circular loops of unpainted stainless-steel tubing and geometric rails.
A new painting by Ian Davenport, titled Yellow and Purple (Double), is also displayed, portraying the artist's use of colour as a tool to delineate space through controlled movements of vibrant paint.