Biography
Waddington Custot Dubai is delighted to present the first solo exhibition of French-Argentinian artist Pablo Reinoso in the region, titled Lines in Motion. First shown at the Abu Dhabi Art fair, a selection of existing and brand-new works merge together to create a comprehensive survey of Reinoso’s sculptural practice.
This exhibition serves to highlight the whimsical world of Reinoso’s sculptures, from his iconic Spaghetti Benches and Garabatos to his Frames, the works surpass their immediate function to take on a life of their own, elegantly taking possession of the gallery space.
For the series entitled Spaghetti Bench, Pablo Reinoso used public benches, which are anonymously designed and travel across cultures with an out-of-time, old-fashioned quality, as a starting point for his reflections. Started in 2006, these sculptures have multiplied and found homes in very diverse places. In line with his work on the Thonet chairs, the artist explores once again the seat as an object. Yet this time it is no longer the object but matter that frees itself from its function and pursues its fate of wood, tree, plant.
Reinoso stages benches that, after having accomplished their task as furniture, revert into growing, climbing branches. This freedom is expressed in a movement that embraces architecture, wondering throughout space.
The Frames series follows the same line as the Spaghetti Benches. Here frames start living a different life once their mission as “objects” has been accomplished. Pablo Reinoso works on the object as a painter does on the “still-life”, determining, for each work, whether the function is preserved or not. Sometimes the object ceases to be "usable" as such; other times, its incorporation into the artwork preserves its function entirely or partially.
The Garabatos, meaning ‘’to scrawl’’ is a series of seats, often of monumental scale, evoking the leitmotif of Pablo Reinoso’s work, namely, his desire to endlessly question by subverting reality, using materials or objects in ways that go against their customary use. The cold, rigid steel takes unprecedented shapes and dimensions that challenge constraints and play with the boundaries of impossibility.
