In ‘Color Flows 4’, Fabienne Verdier captures movement on a monumental scale – each sweeping black stroke coursing across deep blue like a current of pure energy. Though abstract in appearance, the work is grounded in years of calligraphic study in China, where Verdier immersed herself in traditions that treat the brushstroke as both gesture and spirit. Here, structure, contrast, and silence hold equal weight – traces of a visual language that transcends cultures, channeling presence rather than image.
